hahaha ok ps nadamas quería disculparme por la falta de actualizacion(mm muxas cosas en la cabeza :S)...mmm la semana que viene estaré más activa!! haha lo prometo >.< Bueno, eso es todo, sigan visitandonos :)
La premiación que se realizó en Cannes reconoció al británico como el mejor cantante. Tokio Hotel, por su parte, recibió el premio a la mejor banda. Cannes.
El cantante británico Robbie Williams y el grupo alemán Tokio Hotel fueron hoy algunos de los ganadores de los premios de la red europea de radio NRJ.
e incluyó un show musical de tres horas con estrellas internacionales. Williams logró dos premios NRJ, uno de ellos como mejor cantante y otro honorífico, mientras Tokio Hotel obtuvo por segunda vez el premio a la mejor banda. "Ya lo hago desde hace veinte años (...) y me siento muy honrado", dijo Williams.
Black Eyed Peas fue galardonado por su canción "I Gotta Feeling". Rihanna ganó como mejor cantante. Otro premio especial fue para Beyoncé. El francés David Guetta ganó con "One Love" como mejor disco del año, mientras en la categoría de mejor debutante se impuso Lady Gaga.
Hace unos días, Bill Kaulitz desfiló en el show de modas de Dsquared2 y ahora los chicos de Tokio Hotel, al mismo estilo de fashion police, evalúan el LOOK de algunas estrellas femeninas empezando por Pamela Anderson. Teen.com tuvo la idea y pudo subir el vídeo a youtube.
Aquí la traducción (+-).
Bill:¡Holaa! Somos... Todos: Tokio Hotel Bill: ¡Míranos en Teen.com TV!
(Bill ríe) Tom: Me gusta... Georg: Podría ser.... Tal es vez demasiado corto Bill: Oh, sí, sí okay. Tom: La foto me recuerda a "Baywatch" (serie de tv), y a David Hassehoff, por supuesto es el que sigue Georg. Bill: No, creo que podría mejorar, me gusta Pamela Anderson.
Georg: Botas hmmm... Bill: Si, podrían ser mejores Tom: Ok, no son especiales pero ahí van
Bill: Oh, este está muy bien. Me gusta... me gusta, es una buena combinación. Parece como un traje de negocios/ Gustav: Es como para una secretaria Bill: Si, eso, para secretaria
Bill, George, Tom: Nooo Bill: No esta tan mal... Tom: No me gusta el color... mo
Tom: Esta me gusta. Me agrada el vestido y el calzado, me gusta como luce. Georg: Pero es para una ocasión especial, no de diario. Tom: Creo que al contrario. Bill: Pienso que todo lo que debemos decir es que tienes que sentirte a gusto con lo que te pones; esto es lo más imporrante: ser tú mismo y tener tu propio estilo. Sentirte cómodo. blogdelatele.blospot.com
Hola a tod@s!!!! Bueno pues aqui les dejo la informacion y el link para seguir apoyando a Tokio Hotel!! Vamos por más premios!!!! Tokio Hotel esta nominado como mejor grupo internacional en los NRJ Awards 2010. Para votar da click en el link http://nrjmusicawards.nrj.fr/votes-3373/votecategorie?cat=11 luego das click en la foto de TH y listo!!! Votemos!!!!!!!!
BOP: Happy New year! What was your highlight of 2009 and what are you looking forward to in 2010?
Bill: Releasing the new album was a highlight for us. We had a long and intense period working on the new songs, and it feels wicked to share all this with the world.
Tom: For 2010, we are just thrilled to be on tour in support of our Humanoid album and a huge new show, which is going to be amazing.
BOP: When you are onstage, can you see the fans?
Tom: It depends on the light and the venue. Sometimes it is really dark and you can’t see a thing, but most of the time we see pretty much everything.
BOP: Speaking of fans, who screams louder – American fans or European fans?
Bill:That is a tough question – I’d say it’s a tie. Our fans scream as loud as they can at all of our concerts! The louder our fans scream, the better.
BOP: Who is the messiest person in the band? Who is the funniest?
Tom: Georg is the messiest without a doubt and he’s also the funniest… but certainly not on purpose. He’s such a clumsy guy and that alone makes us laugh so much. He’s a natural.
BOP: Do you use American slang? Do you dream in English or German?
Tom: I use “chillin’ ” quite often – I think that is a cool word. We dream in German most of the time, but when we are in the US for a long time, I find myself dreaming in English sometimes.
BOP: Would you ever date a fan?
Bill: It doesn’t really matter to me who I fall in love with – it can totally be a fan, but it needs to click. I’m still searching for true love and I’m sure that I’ll find it eventully.
First picture: Tom and Bill Kaulitz from Germany’s biggest ban spill all to BOP! Bottom picture: Tokio Hotel are award winners! Tokio Hotel are big winners at the European Music Awards every year. Tom says, “Winning the Best Band award was this years highlight to me.” Right side pictures: Bill’s hair timeline! Check on the Tokio Hotel singer’s hairstyles over the year! 2005: Bill’s hair was just starting to grow out. 2007: Here’s a rare style – sleek and straight. 2008: Bill’s signature style is tall and spiky. 2009: Bill rocked a major Mohawk in late ’09. What’s Bill’s hair secret? “I use all kinds of different hairspray products and I pretty much go through one bottle per day.”
When Tokio Hotel start their 32 shows heavy first part of their “Welcome to Humanoid City” tour, their concerts take place in places like the Olympia Stadium in Moscow, in Barcelona, Paris, Madrid, Rome and (for now) only two German dates in Oberhausen and Hamburg (on the 26. and 28. February). One sign that the school friends from Magdeburg with their melancholical-metallic glam rock have long since become world stars.
The 20 year old twins Bill (singer) and Tom Kaulitz (guitarist) tell us after a spectacular GQ photoshoot in Hamburg how Tokio Hotel find their way as style-wise individualistic, as well as creative and ready to fight young artists in a world that has yet to learn to respect them.
Interview:
Q: Bill and Tom Kaulitz. We’re meeting you without your two band mates Georg Listing and Gustav Schäfer. Are they insulted?
Tom: Not at all. They thank us and pull up a chair.
Bill: If it were up to Gustav and Georg, they’d just play bass and drums in Tokio Hotel and keep out of everything else.
Q: Is the band divided?
Bill: Not at all. That difference has been obvious pretty much from the beginning: they’d rather leave the whole stuff with pictures, interviews and red carpets to us. Six or seven years ago, only small town papers wanted to talk to us, but even then it was mostly Tom and me who represented the band.
Q: Your two colleagues still live in Magdeburg, but you have moved to Hamburg five years ago.
Bill: Gustav and Georg did live, here, too, during our first recording sessions, but they moved back, really quickly. To be honest, I can’t quite understand that. But maybe Tom and I were special cases. Our childhood was really rough. Going to school in a village near Magdeburg felt horrible. We were so glad to get out of there.
Q: A lot of images from those years can be found on the internet. Is an embarrassing childhood not private? How did those pictures get there?
Bill: A lot of those have been published by former class mates. Others we gave to the press ourselves: baby- and childhood pictures of us, as well as impressions of former gigs, when Tokio Hotel was still Devilish.
Q: You don’t need a photo album, anymore – you can just google your memories.
Bill: Recently, we made the resolution to take more pictures. We travel into so many beautiful cities, we get to do and see so many thing, that is something that should be captured… Then we realised: we don’t have to! We always have a camera team with us. We’ve given up on privately taking pictures.
Q: With a lot of other German teenager pop-bands the hype ended after one season. Tokio Hotel on the other hand are a world hit with an MTV award, sold-out concerts in Europe and chart positions in the US. To keep up with the demands: is it necessary to decide to live your life completely in public?
Bill: Tom and I have made that decision, yes. Including all of the negative aspects – but we have learned to live with it. It only gets bad when people get pulled into that who don’t want it: parents, family, friends. We’re doing everything we can to protect them from the public’s curious eye. But it’s become difficult to lead a normal life to whoever carries the name Kaulitz, nowadays.
Q: Being a popstar, even if you have to sacrifice a normal life almost completely – when exactly did you make that decision?
Bill: At 15. That was when our fist single “Durch den Monsun” was released. It was amazing when that went through the roof. Then the first headlines appered…
Tom: … and we got the full program, right away!
Bill: The first stories in the tabloids had been there, before. And when our song was played on the radio and the demands grew, we did ask ourselves: what’s happening, here? What are we getting into? For example, I left a glass lying around somewhere, and you could buy that on ebay the next day. But experiences like that are educational. We started early and started to learn early, accordingly. Tokio Hotel is not a job, it’s our life. Outside of that, there’s hardly anything left, no more than the family. For that one year in which we produced our new album we had planned on not ending up in the press. That hasn’t worked, at all.
Tom: There’s no switch to turn. No end of the day.
… something missing, I think…
Bill: When we come off the stage when something went wrong, we’re all silent. Nobody talks.
Q: Have there ever been problems that weren’t worth all the drama? That the company got the wrong colour for the cover or something?
Tom: (breathes deeply) Now that would be a catastrophe. I’d blow up.
Bill: If something like that were to happen, I couldn’t sleep properly for a year… But I do remember something: some of our songs from Humanoid had been online, illegally, three months before the album was released. I could hardly believe that somebody would steal the art from us that we put so much time and energy into.
Q: A very widely spread problem, nowadays. How did you react?
Bill: We will not hand over music to companies, beforehand, anymore. It gets into the wrong hands, there, sometimes. We were careful, before, but we learned from that.
Tom: Everything needs to stay in the smallest circle possible. On a business level, there are so many involved in Tokio Hotel: the German label, the French one, Interscope in the States, and and and. There is an uncountable amount of people involved you can’t control.
Q: If music is such an emotional topic, doesn’t the band project endanger the love between brothers?
Tom: You could see it that way. Theoretically. We both have the problem that we tend to focus on the negative aspects of things. If there is one bad message, we forget the 20 good ones we got, before. Bad news make you improve the situation. You can just move on from positive things.
Bill: That’s the typical twin thing. When I’m happy, Tom has 10000 things in his mind. And the other way around. That we can sit next to each other on a couch, all relaxed, happens once a year.
Tom: Actually, I don’t think it happened in the last five years.
Q: It’s almost as if one can hear that in your music. Teenager bands usually sound light, less dark and selling things – the Tokio Hotel songs have always been surprisingly dark, serious and lacking a childlike naiveté. How on earth could you two pig-headed boys agree on one musical style?
Bill: Good question. In private, we only ever fight about music. He only listens to hip hop and I listen to all kinds of things. We can’t understand each other in that respect.
Tom: When we started out, it was really easy. We had no choice! We never sat down and talked: let’s sound like this or that band. We were limited. We just did what we were capable of. It’s interesting how that unique style that came of it lasted until today. There is a thread going through all of our works, a clear line.
Q: When one sees you, today – the glamorous, alien-like Bill and the earthed streetstyler Tom – one would never think that you are twins. When was the point at which you developed in different directions?
Bill: That complicated to explain. We just wanted to get out of the other’s shadow at some point. Out of that annoying, public twin existence. Imagine that. At school, it was always: the twins here and the twins there… On the other hand, I think it’s natural that each would develop his on personality that we do everything together. Or maybe not.
Tom: I’d put it this way: Everything that one complete human being has in itself, we distributed among the two of us. Each of us has chosen his part and specialised in his area of expertise. Bill is more the creative type, I’m more on the business side. If you add that up, we’re one person, one human being. Just a very versatile one.
Q: Does that also mean that you’ve never been rivals, in all those years?
Bill: We never thought about who is the favourite son and who’s the black sheep. We were always a team. Like I said, we moved out at 15, earned our own money. We didn’t have time for childish shenanigans – it all happened very early. Sometimes I feel like mine and Tom’s life has moved twice as fast, because each taught the other what he learned. Identical twins grow up faster, because they share everything. Including experience.